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For the final episode of 2018 we take a look back at this death metal classic.

Including High on Fire, Good Tiger, Deafheaven, Rivers of Nihil and more.

Ozzy’s release of Bark at the Moon in 1983, KISS guitarist Ace Frehley’s self-electrocution on stage in 1973 and more. 

The album saw the band shift heavily into the more groove and rhythm-oriented sound that would come to define their legacy.

Featuring Architects, Rivers of Nihil, Ghost and more.

How has the band’s sound evolved since their 2016 debut album Air became a cult favorite since its release?

GWAR’s Pustulus Maximus and Blöthar take the MetalSucks Autocomplete Interview and answer the web’s most searched questions about themselves. Who makes GWAR’s costumes? What What do they call their fans? Why do they hate koala bears? Pustulus and Blöthar answer all these questions and more!

How would the album reinvigorate the progressive metal scene and what would it do for Cynic’s legacy? Watch and celebrate the anniversary with us. 

Why was this album such a pivotal moment for the band and how did it become a definitive death metal classic as well as a turning point for the genre?

Angel offers commentary and critique on fans covering his songs on YouTube.

Does the latest from the OG Sumeriancore purveyors tread the same old ground for the band or forge ahead in a new direction? Watch to find out what we think. 

Celebrate the 25th anniversary of Tool’s breakthrough album along with us.

We listen to a song from the new All That Remains album for the first time. How does it stack up against their old stuff?

Like a white whale, elusive footage of the mystical beast that is Threatin performing live has surfaced!

We take a look back at Opeth’s My Arms, Your Hearse on its 20th anniversary.

Covering his solo material, his work with Megadeth, Cacophony and more.

Host Jon Weigell listens to Slipknot’s new song for the first time and shares his thoughts.

Unquestionably DT’s heaviest album ever, where does it sit in the pantheon of the band’s expansive catalogue? Aside from simply being heavy, is it also truly great? (yes, yes it is)

The band experiments with a more poppy sound.

How did the album cement Gojira’s place in the metal pantheon and lead to their increased popularity in the years to come? How would its proprietary blend of brutality, progressiveness, technicality and unique production make it into a modern day classic?