FEAR, EMPTINESS, DECIBEL: HEY, FROST — WHY SO SERIOUS?

Before there were blogs there were these things called magazines, and the only metal magazine we still get excited about reading every month is Decibel. Here’s managing editor Andrew Bonazelli.

“People tend to avoid people in capes. I know that’s not the case here… but look at these people.” —Paul Rudd, Role Models

Indeed, there are few (public) places on earth where capes are not frowned upon. The LARP-friendly park space in Role Models is one of them; another is evidently the V.I.P. beer tent at 2006’s Download Fest in Donington Park, England, ’cause I saw Satyricon’s Frost totally stroll through the morass of international “journalists” like he was ready to leap off a Hong Kong skyscraper.

(I know, the Batman comparison is reaching — Frost is more like the kind of guy who’d sew a cell phone bomb in your gunt.)

Anyway, his band’s 1996 full-length, Nemesis Divina — the latest honoree in our Hall of Fame, which is a lot easier to assemble when there are two people to interview — struts just as confidently in the shaky terrain between orthodoxy and abandon. Of course, superfans will know that there weren’t just two interviews to conduct — resident Darkthrone hiking advocate Nocturno Culto helped out on guitar and very nearly stuck around permanently. That’s just one of many intriguing nuggets surrounding the creation of Nemesis — Satyr discovered that Frost was nearly blind, and the titillating NSFW “Mother North” video was one of Norwegian black metal’s first.

Some (adults) would suggest that this was Satyricon’s last good record. Some (kids) have always found them clownish. Where do you guys stand?

-AB

You can order the January 2011 issue of Decibel here if you wanna read the Hall of Fame entry on Satyricon’s Nemesis Divina. But if you get a full subscription, not only will you never miss a Hall of Fame, but every month you’ll get an exclusive flexi disc of never-before-released music, too.